The Spectator and The Critic

The Spectator and The Critic: two British magazines built on direct argument and scepticism of orthodoxy, for readers who want a position, not a hedge.

2.5M

Monthly users

9.1M

Monthly page views

65%

Engagement rate

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Key Features

The Spectator and The Critic are British magazines built for readers who want an argument made in full, not hedged into safety. The Spectator, founded in 1828 and the oldest continuously published weekly magazine in the world, pairs serious political commentary with arts and culture coverage, favouring direct argument over caveats; it’s the magazine that gave English the phrases “nanny state” and “virtue signalling.” The Critic, launched in 2019, is newer and narrower: an explicitly contrarian conservative title built to challenge what it calls closed-mindedness in universities, the civil service and the BBC. Together they reach an older, educated, politically engaged reader who buys on conviction rather than consensus.

Overview of The Spectator and The Critic

Statistics come from media packs shared by our publishers, supplemented by independent industry data. Figures can vary year-on-year as a result.

Key features

  • The Spectator: founded in 1828, the oldest continuously published weekly magazine in the world. Direct, irreverent political commentary alongside arts and culture, with minimal editorial interference and a Eurosceptic, Atlanticist outlook. Weekly print, daily online, growing podcast and video output.
  • The Critic: launched in 2019, ten print issues a year. Contrarian and consciously conservative, built to challenge orthodoxy in universities, the civil service and the BBC. Edited by Graham Stewart (note: the live UAS page still names Christopher Montgomery, worth a check before this goes live).

Demographic Sex

67%
33%

Demographic Age

24 - 65+

UK - 85%

Available inventory

Magazine Package

One print placement across both The Critic and The Spectator, reaching two distinct readerships in a single buy.

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